100 All-Time Favorite Movies
Favorite flicks
Our choice of must-see masterpieces
"Well-researched, encyclopedic, full of fascinating facts and an ideal present for silver screen enthusiasts."
- The Sunday Post, Dundee
They say that in life, there are winners and there are losers. Though the movies we selected fo
Our choice of must-see masterpieces
"Well-researched, encyclopedic, full of fascinating facts and an ideal present for silver screen enthusiasts."
- The Sunday Post, Dundee
They say that in life, there are winners and there are losers. Though the movies we selected fo
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Аннотация
Favorite flicks
Our choice of must-see masterpieces
"Well-researched, encyclopedic, full of fascinating facts and an ideal present for silver screen enthusiasts."
- The Sunday Post, Dundee
They say that in life, there are winners and there are losers. Though the movies we selected for this two-volume collection are winners indeed, those that didn't make the cut aren't losers. We just didn't like them quite as much. It was a tough, soul-searching process, but after much debate and deliberation TASCHEN settled on what we believe to be the 100 finest examples of 20th century filmmaking.
From horror to romance, noir to slapstick, adventure to tragedy, epic to musical, western to new wave, all genres are represented in this wide-ranging and devilishly fun compendium. Metropolis? Check. Modern Times? Yep. Citizen Kane, The Seven Samurai? Of course. La dolce vita, Psycho, A Clockwork Orange? You bet. Plus The Godfather, Annie Hall, Blue Velvet, Pulp Fiction... and so many more cinematic gems including lesser-known masterpieces like Bunuel's The Young and the Damned. Think of this collection as a celebration of contrasts, an homage to the seventh art, a gathering of greats, and a nostalgic romp through celluloid history.
Chronological entries each include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. The chapter for each decade begins with an introduction exploring the historical and social context of films made in that era.
The editor:
Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles.
Our choice of must-see masterpieces
"Well-researched, encyclopedic, full of fascinating facts and an ideal present for silver screen enthusiasts."
- The Sunday Post, Dundee
They say that in life, there are winners and there are losers. Though the movies we selected for this two-volume collection are winners indeed, those that didn't make the cut aren't losers. We just didn't like them quite as much. It was a tough, soul-searching process, but after much debate and deliberation TASCHEN settled on what we believe to be the 100 finest examples of 20th century filmmaking.
From horror to romance, noir to slapstick, adventure to tragedy, epic to musical, western to new wave, all genres are represented in this wide-ranging and devilishly fun compendium. Metropolis? Check. Modern Times? Yep. Citizen Kane, The Seven Samurai? Of course. La dolce vita, Psycho, A Clockwork Orange? You bet. Plus The Godfather, Annie Hall, Blue Velvet, Pulp Fiction... and so many more cinematic gems including lesser-known masterpieces like Bunuel's The Young and the Damned. Think of this collection as a celebration of contrasts, an homage to the seventh art, a gathering of greats, and a nostalgic romp through celluloid history.
Chronological entries each include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. The chapter for each decade begins with an introduction exploring the historical and social context of films made in that era.
The editor:
Jurgen Muller has worked as an art critic, a curator of numerous exhibitions, a visiting professor at various universities, and has published books and numerous articles on cinema and art history. Currently he holds the chair for art history at the University of Dresden, where he lives. Muller is the series editor for TASCHEN's Movies decade titles.
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Характеристики
ID товара
281231
ISBN
978-3-8365-2400-1
Язык
Английский
Страниц
800 (Мелованная)
Вес
2694 г
Размеры
254x198x56 мм
Тип обложки
обл - мягкий переплет (крепление скрепкой или клеем)
Оформление
Частичная лакировка, футляр открытый
Иллюстрации
Черно-белые + цветные
Все характеристики
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