Duchamp: Janis Mink
Янис Минк. Книга на английском языке. English language book
Changing the course of 20th-century art
When is a urinal no longer a urinal? When Marcel Duchamp (1887-1968) declared it to be art. The uproar that greeted the French artist`s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establish
When is a urinal no longer a urinal? When Marcel Duchamp (1887-1968) declared it to be art. The uproar that greeted the French artist`s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establish
Полная аннотация
Все характеристики
Аннотация
Changing the course of 20th-century art
When is a urinal no longer a urinal? When Marcel Duchamp (1887-1968) declared it to be art. The uproar that greeted the French artist`s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today.
This essential introduction distills all the daring and the scandal of Duchamp`s practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic "readymades" such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the "retinal" experience.
When is a urinal no longer a urinal? When Marcel Duchamp (1887-1968) declared it to be art. The uproar that greeted the French artist`s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today.
This essential introduction distills all the daring and the scandal of Duchamp`s practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic "readymades" such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the "retinal" experience.
Характеристики
ID товара
975395
ISBN
9783836534321
Язык
Английский
Страниц
96 (Мелованная)
Вес
610 г
Размеры
265x215x16 мм
Тип обложки
7Б - твердая (плотная бумага или картон)
Оформление
Частичная лакировка
Иллюстрации
Черно-белые + цветные
Все характеристики
3 151
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